And so we careen into February hoping for the best, prepared for the worst. As always, there is art and music and writing to help. Meet an artist from Venice, CA and do observe his magic with magazine clippings. Who to follow on Twitter in these days of sound and fury? Who should we read? A wicked smart Seattle artist tells the creative class what it needs to know. The courageous team at the Munich Post kept at it until the end. And because we all need music more than ever, a 5CT Winter Playlist. I love you, 5CT readers.
Jay Kelly |Venice Beach, CA
One hates to boast, but just this once. EPIC issue. Hope you enjoy as much as the 5CT team enjoyed putting it together. It’s that season, so hold your lovelies close. Especially in these perilous times. “I wish there was a treaty between your love and mine,” said Leonard Cohen, and what could anyone possibly add to that? Have a lovely, lovely season.
Kait Dunton and the joy of the trio
This is Kait Dunton’s world and I’m smitten. I’ve listened to this song about 150 times. My second favorite tune of hers is Real and Imagined. To find out more pop on over here —>
We hear a lot about the power of words and of stories. Those instances when the yeast works its magic are rare and beautiful to behold. Kate Tempest is a performance poet from London, and her stunning 2015 Europe is Lost seems a mite prescient. I found myself floored at the writing in The Crack-Up, F. Scott Fitzgerald’s series of ‘confessional’ essays for Esquire. Martin Pistorius made me weep and Max Porter filled me with joy and wonder and a touch of envy. The rich, driving sounds of Kendrick Lamar’s Complexion (A Zulu love) come via DM. Seems a good time for this: “Political language is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.” George Orwell
Kate Tempest, we are lost, we are lost
What else but this for right now?
Help us publish Established at Unbound, a crowd-funded publisher in London.
Established: 1198, 1498, 1515, 1519, 1534, 1570, 1698, 1705, 1715, 1759, 1824, 1891. An inn, a removals company, a butchers, a ferry, a printing press, a bell foundry, a wine merchants, a stone carvers, a scale makers, a brewers, an agricultural company, a gum manufacturer. How on earth have they managed that? And what are their secrets of survival?
In Established, twelve business writers set out to find the answers to these questions and to tell the stories of these companies that have survived scores of booms and busts, black sheep in the family and strange twists of fate.
But they’re not your typical team of business writers. The twelve are from the Dark Angels stable, the brand that since 2004 has been encouraging authentic voices in business writers through its residential courses and workshops. Storytelling is at the heart of the Dark Angels approach. In Established you will find that each of these enduring businesses has a great story, each of which is told in an individual voice that brings range and freshness to the book and makes it quite unlike the mainstream ‘how to’ hardback.
But the lessons the stories contain are every bit as instructive, from the eschewal of nepotism to the generational mantra of ‘humility and rebellion’. The reader will find contradictions, on questions like world domination or keeping it to the one shop. And that’s the joy of this book, that readers looking for insight as well as good old entertainment will gravitate towards the business that most resembles theirs in spirit and set-up if not in actual trade.
The lesson in every instance that is closest to the writers’ hearts is that the story itself is one of the greatest assets of every business – and when you’ve got over 500 years of records it’s quite a challenge to tell it, especially in a couple of thousand words. Established does just that.